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Pierre Frey

Fabrics
La fee electricite

F3094001 - Truffe

In 1923, René Prou, Patrick Frey's grandfather, created this pattern for the House of Le Manach. It is characteristic of the enthusiasm for the scien...
La fee electricite
In 1923, René Prou, Patrick Frey's grandfather, created this pattern for the House of Le Manach. It is characteristic of the enthusiasm for the science of electricity during the period. This craze reached a paroxysm in 1937 with the building of the light and electricity pavilion by Mallet Stevens for the International Exhibition of Arts and Technology in Modern Life. The technique of double-weave jacquard and the black and cream threads create as many contrasts in colors and materials as they do in patterns to express the singular personality of this historical motif.

Caractéristiques

Type

Jacquards

Caractéristiques

Composition

59 % Cotton - 35 % Viscose - 6 % Polyamide

Caractéristiques

Width

136 cm / 53,54 inch

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Scenography

La fee electricite  - Laize: 136 cm / 53,54 inch
Raccord : Vertical 68 cm / 26.77 inch
Raccord : Horizontal 68 cm / 26.77 inch
Laize : 136,00 cm / 53,54 inch

Technical sheet

La fee electricite

F3094001 - Truffe

Pierre Frey - Charleston

Type

Jacquards

Composition

59 % Cotton - 35 % Viscose - 6 % Polyamide

Sales unit

Available per meter/yard

Width

136 cm / 53,54 inch

Repeat

H: 68 cm - 26,77 inch
V: 68 cm - 26,77 inch

Weight

685 gr / ml

Care

Washing prohibited Ironing 110° max Professional Cleaning Prohibited drying Stain removal prohibited

Notes

Woven in Pierre Frey's workshop in northern France.Living Heritage Mill.

Book

F99791601
Glossary
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Charleston

The development and decoration of liners from the French Line shows the influence of this style. The appetite for life following the end of World War I blossomed as a great creative flurry in the arts. The Charleston Collection takes another look at this inventive and exciting period of our common history, where the luxury of materials and the simplification of shapes transformed the interiors of amateurs and patrons.  Plain and chiseled velvets, refined embroideries, stylized jacquards, tone-on-tone fabrics evoking sharkskin and precious voiles make up an inspired and contemporary reworking of Art Deco. The subtle range of blacks, gray, creams, blues and antique pinks is highlighted with shiny accents of gold and silver, a nostalgic echo of dresses from the Roaring Twenties.

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