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Pierre Frey

Fabrics
Montevideo

F3706002 - Brousse

Reinterpreted in elegant cotton velvet, this timeless and modernist design was created by textile designer Elise Djo-Bourgeois circa 1927. It features...
Montevideo
Reinterpreted in elegant cotton velvet, this timeless and modernist design was created by textile designer Elise Djo-Bourgeois circa 1927. It features geometric interweaving. The subtle sheen of the linen pile contrasting with the matte cotton loops, as well as its traditional weaving on a jacquard loom with perforated cards, make this fabric as singular as it is luxurious.

Caractéristiques

Performance

High Rub Test

Caractéristiques

Type

Epinglé velvets

Caractéristiques

Composition

78 % Linen - 11 % Polyester - 11 % Cotton

Caractéristiques

Width

136 cm / 53,54 inch

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Scenography

Montevideo  - Laize: 136 cm / 53,54 inch
Raccord : Vertical 34 cm / 13.38 inch
Raccord : Horizontal 17 cm / 6.69 inch
Laize : 136,00 cm / 53,54 inch

Technical sheet

Montevideo

F3706002 - Brousse

Pierre Frey - Elise Djo-Bourgeois

Performance

High Rub Test

Type

Epinglé velvets

Artist

Élise Djo-Bourgeois

Use

Moderate use

Martindale

> 40.000 T

Composition

78 % Linen - 11 % Polyester - 11 % Cotton

Sales unit

Available per meter/yard

Width

136 cm / 53,54 inch

Repeat

H: 17 cm - 6,69 inch
V: 34 cm - 13,38 inch
Straight repeat

Weight

1128 gr / ml

Care

Washing prohibited Repassage interdit Professional Cleaning Prohibited drying Stain removal prohibited

Certifications

BS5852 Cigarette & match test in conjuction with suitable combustion modified foam

Information

pile 100% linen

Book

F9979212023
Glossary
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Élise Djo-Bourgeois

Élise Djo-Bourgeois

Born in Oran in 1894, Elise received at an early age an education in the arts. As a student, she attended the Académie Julian and Les Ateliers Montparnasse allowing her own geometric and modern style to blossom, which was fully expressed between 1920 and 1937.  

Elise Djo-Bourgeois

Djo-Bourgeois! A mythical name for fans of the modernist movement that in fact belies the fact of two artists with complementary talents: Georges Bourgeois, known as Djo-Bourgeois, architect and designer recognized with a dazzling career, and Elise, his wife, textile designer. Like many artists of the time, they created as a duo. The former works on space and imagines furniture that the latter covers. As famous as Sonia Delaunay at the time, Elise was nevertheless forgotten, due to a career that was abandoned too early following the sudden death of her husband.

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